• Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • Flickering Myth Films
    • FMTV
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • YouTube
    • Bluesky
    • Instagram
    • Flipboard
    • Linktree
    • X
  • Terms
    • Terms of Use
    • Privacy Policy

Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

  • News
  • Reviews
  • Articles & Opinions
  • Write for Us
  • The Baby in the Basket

Movie Review – True Story (2015)

April 18, 2015 by Robert Kojder

True Story, 2015.

Directed by Rupert Goold.
Starring James Franco, Jonah Hill, Felicity Jones, and Ethan Suplee.

SYNOPSIS:

When disgraced New York Times reporter Michael Finkel meets accused killer Christian Longo – who has taken on Finkel’s identity – his investigation morphs into a game of cat-and-mouse.

For better or worse True Story is a subversive thriller that is more interested on dragging out answers rather than giving explanations. The film is about a disgraced New York Times journalist that develops an unhealthy obsession with a convicted child murder, and whether or not he may be innocent. Once again, True Story doesn’t necessarily explore motives in-depth, so when you finally get the answer it doesn’t come across as satisfying, and ultimately that is the biggest problem with an otherwise completely gripping and riveting bizarre account of real-life. You are left wanting more, which is sometimes a good thing, but in this case it just feels as if the narrative doesn’t go far enough in telling a complete story.

Essentially, the results and ending to True Story will most likely frustrate viewers, leaving them questioning what the entire point was, but there’s no denying that James Franco and Jonah Hill dig into their characters and deliver some captivating performances. Portraying Christian Longo, Franco gives a calm and reclusive personality to this most wanted man that successfully gets audiences asking themselves if he could be innocent or not. When asked why he doesn’t just tell the truth, he cites that the truth is far too outrageous and that no one will believe him; a moment in the film that really conjures up a lot of intrigue.

Jonah Hill also gives a quite subdued performance playing  New York Times journalist Michael Finkel, fired over creating a composite story to create sympathy for his character, and is now awkwardly searching for himself through Longo’s fascination with him. After the murders Longo began taking Michael’s identity, in essence setting these two on a collision course of mutual obsession.

It isn’t James Franco or Jonah Hill that are responsible for the best scene in the film however; that belongs to Felicity Jones and a powerfully disturbing scene where she shows no sympathy for Longo, and uses a musical example to demonstrate why he will always be considered a piece of garbage. Furthermore, it is scenes like this and the general eerie undertones of the darkly twisted story that make True Story so compelling to watch even if it goes nowhere.

In the middle of everything is also some interesting commentary on the state of journalism, and the sad truth that some wall write what their audience wants to hear instead of anything substantial that should be heard. Clearly movie journalism and real-world issues are totally lopsided in relevance, but the point stands that it is somewhat eye-opening even if it is only explored at a basic level.

The only other thing working against True Story is that it really doesn’t have any likable characters to root for. Michael Finkel could potentially be using Christian Longo and his story to save face as a journalist, giving himself a second chance. Meanwhile Longo is convicted of horrifying crimes and not necessarily someone you want to cheer for considering that there’s a likely possibility he did everything he is accused of. He also is obviously using Michael in his own way which isn’t very admirable. All of this leads to a film with characters that may leave you cold depending on if you find the mystery something worth investing into. Truthfully, it is interesting but once again just doesn’t offer enough to leave a lasting impression.

True Story is admittedly going to divide critics and audiences alike right down the middle, but your mileage depends on whether or not you can accept that the movie is more of a character study than a flat-out murder mystery complete with surprises. It’s about trying to understand the weird friendship that these two shamed people (obviously of different levels) come to have.

Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★

Robert Kojder – An aficionado of film, wrestling, and gaming. Follow me on Twitter or friend me on Facebook

https://www.youtube.com/watch?v=pnc360pUDRI&list=PL18yMRIfoszFLSgML6ddazw180SXMvMz5&feature=player_embedded

Originally published April 18, 2015. Updated April 13, 2018.

Filed Under: Movies, Reviews, Robert Kojder Tagged With: Ethan Suplee, Felicity Jones, James Franco, Jonah Hill, Rupert Goold, true story

About Robert Kojder

Robert Kojder is a member of the Chicago Film Critics Association, Critics Choice Association, and Online Film Critics Society. He is also the Flickering Myth Reviews Editor.

FMTV – Watch Our Latest Video Here

YOU MIGHT ALSO LIKE:

The Best 90s and 00s Horror Movies That Rotten Tomatoes Hate!

The Essential Revisionist Westerns of the 21st Century

5 Underrated Jean-Claude Van Damme Movies

Cinema of Violence: 10 Great Hong Kong Movies of the 1980s

7 Gripping Missing Person Movies Based on True Stories

Robin of Sherwood: Still the quintessential take on the Robin Hood legend

13 Underrated Horror Franchise Sequels That Deserve More Love

The Essential Horror-Comedy Movies of the 21st Century

10 More International Horror Movies You Need to See

Whatever Happened to the Horror Icon?

WATCH OUR MOVIE NOW FOR FREE ON PRIME VIDEO!

Top Stories:

Why the 80s and 90s Were the Most Enjoyable Era for Movies

Movie Review – Bugonia (2025)

8 Great Films with Incompetent Heroes

Movie Review – If I Had Legs I’d Kick You (2025)

10 Must-See Comedy Movies From 1995

10 Horror Movies Ripe for a Modern Remake

Movie Review – Black Phone 2 (2025)

Movie Review – After the Hunt (2025)

2025 BFI London Film Festival Review – Nouvelle Vague

10 Must-See Boxing Movies That Pack a Punch

STREAM FREE ON PRIME VIDEO!

FEATURED POSTS:

7 Rotten Horror Movies That Deserve A Second Chance

Darren Aronofsky Movies Ranked from Worst to Best

10 Movie Franchises That Need To End

90s Guilty Pleasure Thrillers So Bad They’re Actually Good

Our Partners

  • Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • Flickering Myth Films
    • FMTV
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • YouTube
    • Bluesky
    • Instagram
    • Flipboard
    • Linktree
    • X
  • Terms
    • Terms of Use
    • Privacy Policy

© Flickering Myth Limited. All rights reserved. The reproduction, modification, distribution, or republication of the content without permission is strictly prohibited. Movie titles, images, etc. are registered trademarks / copyright their respective rights holders. Read our Terms of Use and Privacy Policy. If you can read this, you don't need glasses.


 

Flickering MythLogo Header Menu
  • News
  • Reviews
  • Articles and Opinions
  • Write for Flickering Myth
  • About Flickering Myth
  • The Baby in the Basket