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53rd Chicago International Film Festival Capsule Review – Lady Bird (2017)

October 19, 2017 by Robert Kojder

In the hands of many other writers, the titular, self-proclaimed Lady Bird – real name Christine McPherson played by renowned Irish actress Saoirse Ronan – would come across as whiny, entitled, and unlikable to the point where the entire film comes crumbling down. Fortunately, Greta Gerwig is unlike most writers, as her directorial debut is a charmer that explores the complex bond between a mother and daughter on the cusp of adulthood.  Greta genuinely understands coming-of-age struggles, whether the problems are serious or inconsequential over-worrying from teenagers. She has a firm grasp on their behavior, some characters do hurtful things; some are unforgivable, while others are due to being young. It’s all relatable and arresting to watch unfold, with a heartwarming closing shot that will make you want to call your Mama and tell her you love her.

Lady Bird screened at the Chicago International Film Festival

In Lady Bird, Greta Gerwig reveals herself to be a bold new cinematic voice with her directorial debut, excavating both the humor and pathos in the turbulent bond between a mother and her teenage daughter. Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mom (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird’s father (Tracy Letts) loses his job. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home.

Lady Bird is set for release on November 10th.

Filed Under: Chicago International Film Festival, Movies, Reviews, Robert Kojder Tagged With: Chicago International Film Festival, Lady Bird

About Robert Kojder

Robert Kojder is a member of the Chicago Film Critics Association, Critics Choice Association, and Online Film Critics Society. He is also the Flickering Myth Reviews Editor.

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