Tom Jolliffe looks at the growing impact of A24 and why they’re the best thing in cinema right now…. The widening grip of Disney expands almost every year. They can seemingly rest a little on their laurels having generally found a formula that works with minimal boundaries pushed, or need for innovative dramatic ideas. Whilst […]
Why Birds of Prey looks like the comic book film to watch in 2020
Tom Jolliffe looks ahead to Birds of Prey and why it’s the most eye-catching comic book film of 2020 at the moment… 2020 is in its infancy and the blockbuster bombardment is due to start shortly. In a year that will see more Marvel adventures (in the beginnings of a new phase, which opens with […]
Cinema’s Most Awful Adverts for Marriage
Tom Jolliffe looks at cinema’s most awful depictions of married life… With your best Peter Cook impression, repeat after me…’Marriage (or mawiage)…’ That holiest of unions where a couple ties the knot and themselves together, in theory, for the rest of their days. There has been many a depiction of marriage in the entertainment industry. Al […]
Arnold’s Next Progression: Time to Hit Netflix?
After recent theatrical disappointments, is it time for Arnold Schwarzenegger to go to the streaming platforms? When Arnold Schwarzenegger took his political sabbatical from the movie world, he’d come off a string of disappointments. Time out seemed like a potentially good idea. His post-politics return wasn’t even a foregone conclusion (albeit highly probable). His send […]
The Directors We Love to Hate
Tom Jolliffe takes a look at some of cinemas most hated directors… When all is said and done with a film, everything boils down to one thing: The individuals verdict. You’ll love films, you’ll hate them, you’ll be totally indifferent to some. This then rings true of individual aspects in a film, from cast, to […]
Mann, Refn and the Safdies: Mastering Neo-Noir
Tom Jolliffe looks at a few examples of classic neo-noirs… Dark tales in rain sodden streets with the glistening neons of a big City. There comes that inevitable moment. A wrong choice, the self-destructive move to an inescapable corner. The neo-noir, the resurrection of the classic film noir genre that typified much of 30’s-50’s cinema. […]
There’s just one blockbuster to get excited for in 2020: The year of Tenet
Tom Jolliffe looks ahead to Tenet, and why it stands head and shoulders over every other tentpole release in 2020… With the Disney machine making record money this year even before they’d fired out Star Wars: The Rise of Skywalker to a public who seemed to go with a half-hearted, sleepwalking obligation over a fiery […]
The Snyder Cut. The Abrams Cut. How about cut the sh*t?
Tom Jolliffe looks at the recent demands for director’s cuts with Justice League and Star Wars: The Rise of Skywalker… A film comes out. The director hits the press circuit prior and things seem to be rosy. The film comes out and is greeted with derision. Suddenly there are growing calls for a directors cut. […]
Could dumbing down cinema threaten the legacy of timeless classics?
Tom Jolliffe looks at the current monopolisation of cinemas from Hollywood tentpoles, and whether timeless classics are at risk of being forgotten… The debate has raged throughout the last half year. Martin Scorsese was at the forefront. Cinemas are being overrun with Theme park rides. The cultural, dramatic and thematic impact with some of these are […]
2019 in Review: Revisiting cinema’s biggest releases, news and talking points
Tom Jolliffe looks back at 2019 in film… Whilst we all come to terms with deleting and retyping 19 as 20 on documents, letters, invoices etc, lets make time to look back at 2019 and further confuse matters. As a year of cinema, 2019 has been interesting and with a usual mix of pop culture […]
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