In the build up to the release of Blade Runner 2049 [read our review here], Tom Jolliffe looks at the essential films of the key cast, starting with Harrison Ford… A long, varied and fine career has seen Ford become iconic in two franchises in particular (and indeed the upcoming reprise of Rick Deckard could […]
Flickering Myth Film Class: How To Do An Ensemble Film
In the latest instalment of Flickering Myth’s film class, Tom Jolliffe looks at how to pull off an ensemble film… The art in pulling off the ensemble film. It’s a tricking balance. In the vast majority of cinema you may be limited to one or two clearly defined protagonists with a cast of supporting artists. […]
Getting Naked Again: Revisiting Mike Leigh’s Naked
Tom Jolliffe takes a look back at Mike Leigh’s 1993 film, Naked… The other day I attended a special screening at The Prince Charles Cinema in London. It was part of a specially curated selection of films (from NFTS) devoted to the vile and unlikeable. The first film of the series was Mike Leigh’s 1993 […]
Flickering Myth Film Class: Using Colour
In this instalment of Flickering Myth’s Film Class, Tom Jolliffe looks at intentional use of colours in film… When it was discovered that film stock could have colour painted onto it, though painstaking and meticulous, it opened up a new dimension in cinema, previously locked into black, white and grey. It allowed a film-maker to […]
Movie Review – Circus Kane (2017)
Circus Kane, 2017. Directed by Christopher Ray. Starring Jonathan Lipnicki, Tim Abell, Mark Christopher Lawrence, Ted Monte, Victoria Konefal, and Nicole Arianna Fox. SYNOPSIS A reclusive circus master invites a group of social media stars to his house of haunts. Anyone who can make it out before being scared into submission will earn $250,000 – […]
Flickering Myth Film Class: How To Edit Action
Tom Jolliffe begins a series of film classes. This week, featuring a guide on how to edit action scenes… In a new recurrent series, Film Class, I will take you through a guide on various topics relating to all manner of differing film aspects. From everything in front, or behind the camera, during shoot or […]
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